I have blogged before (in December 2019 and in August 2020) about my experience of writing, and my commitment to trying to produce fiction, in addition to writing about education. In the past eighteen months I have finished three novels, and I am proud of what I have achieved. I read a great deal of fiction, and always wondered whether I was capable of completing a novel myself – something I felt was well-written, thoughtfully structured and worth reading. I now know that this is something I am able to do, and I have greatly enjoyed the process.
‘The Dresser’ started off as a short story (10,000 words), which I then expanded to a novella (33,000 words) and then to a short novel (55,000 words). It tells the story of three generations of a village community between 1900 and 2020, bound together over time by alliances, secrets and the rhythms of the village year, such as harvest and flood. It is about family, friendship, love and betrayal.
‘#OneWord’ is the story of four women, now aged forty, who have been friends since they were 11. It charts their lives over a year, their challenges and triumphs and, crucially, the strength of the relationships which bind them. The #OneWord of the title refers to the fact that when they meet for lunch every New Year’s Eve, they each choose one word which they commit to making a focus in their lives throughout the year ahead. The book shows how the year pans out for each of the women, and the resonance of the words they have chosen.
‘The Button Box’ focusses on three generations of women – grandmother, mother and daughter – over the life span of the daughter, from her birth in the 1950s, through the decades to the present day. It’s about connection, about family (especially the mother/daughter dynamic) and love. It’s told in the first person and is the narrative of the daughter looking back on her life. Her collection of buttons – a different one added to the box on each of her birthdays – charts the map of her life.
The books are different from each other in a number of ways, but they all focus on relationships, on growth, on humanity and human frailty. They are the kind of books I imagine Book Club groups might enjoy reading and discussing. They aren’t imitative of other books or other writers. I hope they’re realistic but also in some ways affirming. They are the kind of novels I like to read.
In January of this year, while I was still working on the third one, I decided to see if a publisher might be interested in either of the first two. I contacted a local independent publisher and was thrilled when she, and her seven ‘beta readers’, read and gave me constructive feedback on both ‘The Dresser’ and ‘#OneWord’. The response to ‘The Dresser’ was especially enthusiastic. The publisher told me that, while she would be delighted to publish it, she felt it ‘deserved’ a larger publisher with a higher profile and a wider reach. The email she sent me after our meeting confirmed how positively she felt about the book:
“I can’t tell you how much I love ‘The Dresser’. I’m not sure I conveyed accurately the range of emotions the book took me through. You draw your characters extremely well and I don’t think that skill can be taught. Your characters will stay with me for a long time.
With ‘The Dresser’ in mind, I would approach the following publishers: Simon and Schuster, Bloomsbury, Faber Independent Alliance and Harper Collins. It’s important to include in your covering letter not only your publishing history, but the size of your Twitter following.”
At this publisher’s suggestion I bought ‘The Writers’ and Artists’ Yearbook 2021′, and found that the four publishers she mentioned all now say that they will definitely not accept any unsolicited submissions, and ask that any writers who wish to bring work to their attention should engage an agent who may make contact on their behalf. As a result, I am now trying to find an agent who would be interested in representing me. I am working my way through ‘The Writer’s and Artists’ Yearbook’ and the websites of literary agencies.
If anyone reading this blog has any suggestions, useful contacts, or specific advice, do, please, get in touch with me. If I don’t succeed in finding an agent/publisher who is prepared to represent/invest in me and my writing, I will consider self-publishing, but I would much rather work with professionals in the field if I can find someone to take a leap of faith.
Many thanks for reading this.
Photo montage: John Berry